Adriaan Jozef Heymans

Adriaan Jozef Heymans
Adriaan Jozef Heymans (date unknown)
Born	Adriaan Jozef Heymans (1839-06-11)11 June 1839 Antwerp, Belgium
Died	December 1921(1921-12-00) (aged 82) Brussels, Belgium
Education	Royal Academy of Fine Arts of Antwerp
Occupation	Painter

Adriaan Jozef Heymans (or Adrien-Joseph Heymans; 11 June 1839 in Antwerp – December 1921 in Brussels) was a Belgian impressionist landscape painter.

Biography

Moonlit Sky (1907)

His father was a trader in window-glass, who died when Heymans was only seven. Afterward, he was partly raised by his uncle, the mayor of Wechelderzande, a small village near Antwerp, where he first learned to appreciate nature.

In 1853, he entered the Royal Academy of Fine Arts of Antwerp, where he studied under Jacob Jacobs, later attending the Académie Royale des Beaux-Arts in Brussels, but he always considered himself to be essentially self-taught. During a stay in Paris from 1855 to 1858, he was strongly influenced by the Barbizon School. By the time of the Brussels Salon in 1860, he was turning toward impressionism.

He soon returned to Wechelderzande and began painting plein air, both there and in the vicinity of Kalmthout. Many other painters came to the Kempen area seeking inspiration; often living in tent camps and waiting for the desired lighting effects. Together with Isidore Meyers, Théodore Baron, Jacques Rosseels (1828–1912) and Florent Crabeels, he helped found what was known as the "Kalmthoutse School" of painting, also known as the "Grey School" because of their preference for grey and silvery shades. He is also considered to be a member of the "Dendermondse School" and the "Genkse School", because he was active in those areas.

In 1869, he married and settled in Brussels, where he was a c0-founder of the Société Libre des Beaux-Arts and several artists' associations. In 1881, he became an officer in the Order of Leopold and was named a Knight in the French Legion of Honor.

Sometime in the 1890s, he returned to Kalmthout and his style slowly evolved into a form of realism with occasional touches of pointillism to accentuate the colors. By 1913, his health had deteriorated so much that he was forced to give up painting.

References

Summer Morning (1912)

Further reading

• Henry van de Velde : Adrien-Joseph Heymans: Etude; Revue Générale, September 1889
• Emmanuel Bénézit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs (Benezit Dictionary of Artists), Paris, 1976. ISBN 2-700-00156-7
• P. & V. Berko, Dictionnaire des peintres belges nés entre 1750 et 1875, Brussel-Knokke, 1981.
• Le dictionnaire des peintres belges du XIVième siècle à nos jours, Brussel, 1994.
• Marko vom Felde, Adriaan-Josef Heymans: 1839 - 1921 : Leben und Werk, 1994
• Paul Piron, De Belgische beeldende kunstenaars uit de 19de en 20ste eeuw, 2 vols., Brussels, (1999).
• Gilberte Geysen and Marko vom Felde, A.J. Heymans 1839–1921, Lille 2000
• De Kalmthoutse of 'Grijze' School en haar tijdgenoten; catalogus van de gelijknamige overzichtstentoonstelling in Kalmthout (Exhibition catalog); Lannoo (2007), ISBN 978-90-209-6805-7
• Wim & Greet Pas: Dictionnaire biographique / Arts Plastiques en Belgique/Peintres, sculpteurs, graveurs 1800–2000, Antwerp 2002, ISBN 90-76138-03-6

External links

• 39 artworks by or after Adriaan Jozef Heymans at the Art UK site
• Arcadja Auctions: Seven pages of works by Heymans
• A. J. Heymans website. Biographical sketch and other material, archived on the Wayback Machine.